By Scott McLemee. In the early 1980s, Umberto Eco enjoyed a remarkable streak of beginner’s luck with his first novel, The Name of the Rose. An improbable international best seller, it was a pastiche of detective fiction filled with nods and winks at Eco’s own field of semiotics as well as his longstanding interest in medieval theology. Most of the intertextuality was removed when the novel was adapted for the screen in 1986, presumably to make room for Sean Connery.
But at the peak of Rose mania, many a paper was written trying to sound out Eco’s historical and theoretical echoes. (The pun was inevitable, even providential.) An essay appearing in Diacritics, the preeminent journal of literary theory at the time, even made a connection between the novel and one of Eco’s lesser-known efforts: “a handbook on dissertation-writing for the vast despised vulgus of Italian students,” namely Come si fa una tesi di laurea (1977). It was one of the very rare mentions in an English-language journal of another international best seller by Eco: the work now available as How to Write a Thesis, published by M.I.T. Press. Read more...
L'accord Formation des intermittents du spectacle est étendu
L'accord conclu le 25 septembre 2014 sur la formation professionnelle des intermittents du spectacle entre en vigueur avec son extension par arrêté du 16 mars 2015.
L'accord fixe par ailleurs les contributions financières des employeurs avec une contribution légale (2 %), une contribution conventionnelle (0,10 %) et un versement fofaitaire de 50 €/an par entreprise.
Consulter l'accord. Voir l'article...


