Estranged students often fly under their university’s radar, even though they’re among the most vulnerable. More...
I'm an EU academic with the right to stay after Brexit. Why do I feel bereft?
I grew up in West Germany and believed I would never return to strict borders in Europe – until I applied for UK leave to remain. More...
The Observer view on a graduate tax being the fairest way to pay for university
The proposed multi-tier system of tuition fees would result in poorer students being deterred from the sciences. More...
A no-deal Brexit seriously threatens UK universities
If the UK withdraws from the EU without a deal, the uncertainty will disrupt vital research projects. More...
Universities raise alarm over no-deal Brexit and EU student enrolment
Sector, particularly research, would take decades to recover if UK crashes out, leaders say. More...
Obsessing over Oxbridge is not the way to beat inequality
Beyond the dreaming spires, colleges and universities badly need investment – and closer ties to their local community. More...
Advertising and academia are controlling our thoughts. Didn’t you know?
By abetting the ad industry, universities are leading us into temptation, when they should be enlightening us. More...
If Not Critical by Eric Griffiths review – lit-crit masterclasses
An age has passed ... A collection of the controversial critic’s lectures showcases his distinctive style and astonishing range. More...
The market forces driving university grade inflation
In seeking to explain the phenomenon of grade inflation in some of our higher education institutions (Universities watchdog threatens fines over grade inflation, 19 December), the Office for Students might reflect on just how the “value” and meaning attaching to a first-class degree has been impacted by the incremental shift of emphasis imposed upon the HE sector by policymakers. More...
Political, forensic, hi-tech: how 'research architecture' is redefining art
In the 1990s, Goldsmiths college in London spawned the YBAs. Now, it has incubated a very different group – whose work is as likely to turn up in an international court as in a gallery. More...