By William Germano. The recent controversy over the young composer Jonas Tarm turns on the eleventh-hour discovery, or recognition, that his “March to Oblivion” (“Marsh u Nebuttya,” in a transliteration from Ukrainian) incorporates unplayable music — unplayable not because of its difficulty but because of its use of musical quotation. More...
22 mars 2015
Must We Mean What We Quote?
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